vinyl album released to coincide with bbcs punk britannia and the queens jubilee. a re-recorded greatest hits album by the original 1977 line-up of jimmy pursey (vocals), dave parsons (guitar), dave tregunna (bass) and mark cain (drums) released to coincide with bbc tvs punk britannia series featuring jimmy pursey and sham 69, and the queens jubilee.

broken bones wurde 1983 von mitgliedern der einflussrichen hardcore/punk-band discharge gegründet und fügte dem sound eine metal-komponente hinzu. die dem bones lp erschien ursprünglich 1984 bei fall out records und wurde von clay records- und discharge-produzent mike stone produziert. das album erscheint nun im originaldesign als klappcover und als neugemasterter direct-metal-mastering-vinylschnitt.

bereits mit ihrem debüt fever to tell avancierten die yeah yeah yeahs vor zehn jahren zur neuen hoffnung der indie-rock-szene - insbesondere jener ihrer heimatstadt new york city. zwischen ihre mixtur aus rock n roll, post-punk und urbanem blues presste das trio um die charismatische performerin karen o einen großen brocken garagenrock und schuf so ein musikalisches konzept.

music is dead is the new solo project by french producer olaf hund. juggling absurdity, cynicism and intimacy, hund wakes the dead, singing a post-punk score for guitar and electronic instruments bringing a new breath to electro-pop music. with the memories of a boy from the old school who saw the end of the golden age, olaf hund defines himself as a post-electronic artist.

golden teacher started life as a studio collaboration between glasgows noise punk trio, ultimate thrush and glasgows all analogue house duo, silk cut. the results of their collaboration turned the ears of all who heard them, not least twitch who after one listen asked if he could release the project on optimo music label.

get down edits return with volume 4 in the series this time we have fingerman and deadly sins alongside label head honchos gde.

orre releases a 12inch mini-album by the inimitable avrocar. cited by radiohead as a prime influence on their kid a album, they also did an acclaimed session for the radio show of the late john peel. the eight songs here are improvised sketches, referencing the psychedelic side of krautrock, harmonious sixties pop and lethargic post-punk. combined with a modern feel of rhythmic progression and production, avrocar effortlessly comes up with songs that are moody, but yet fit many moods. without pretension, straight to your heart and mind, avrocar is a band to be cherished.

with the deep circus 011 we present you lilith, a young talented artist from los angeles who delivers an impressive debut on our imprint. raised in several european countries, lilith was exposed to many cultures, musical tastes and traditions. she was classically trained in piano at an early age, and enjoyed a full spectrum of music genres, from classical to punk. a passion for electronic music grew early on and after a move to dublin ireland, she began digging deeper into the music, stared producing and achieved her own unique style, which has been described as a fusion of deep, dark, dubby, and sexy minimal with house/techno rhythms. a kind of style that really hits your ears and brain, which makes us even happier to present lilith engine repair e.p. on our deep circus label. besides the original tracks *engine repair* and *silicone*, the record contains two massive remixes by oliver klein and sweet n candy.

brand new music!!! this latest offering of unreleased gems played at dope jams monthly parties features fresh and all-original tracks from some of nys finest practitioners of electronic music. winter sampler 2013 #1 opens with the jerky, post-punk nodding funk of emperor, from the promising and much hyped brooklyn outfit beige, an imminent anthem perched somewhere between house, techno and psychedelic pop—and superseding of all of it with its sheer scope, ambition and originality.

ein wundervolles, vielschichtiges und intensives album mit elf songs zwischen post-rock & melodischem hardcore & punk. inklusive downloadcode.
fuck for vorschusslorbeeren, this is real. (intro)

limited edition vinyl.

get the curse music 013 features oliver ho aka raudive, one half of duo the eyes in the heat. widely acclaimed for his vicious minimal techno grooves, raudives been on an machine funk bend and crafted two tracks which are as robust as they are potent. true to the gtcm philosophy, distinctions between vintage and modern, old school and new school, mind melting and bodily stimulation are brilliantly blurred. neither house, techno, ebm or synth punk, these tracks move in their own circles. the same can be said for the xenogears remix, miles away from the tired templates used and abused by most producers. fuck genres, lets dance.

re-release of this notorious 80s disco / punk single by all-female outfit esg. presssing on purple coloured & marbled vinyl.

upon the first listen, the work of fernando unfolds directly on your brain and leaves a long lasting feeling of drama. fernando pulichino is one those lucky guys who can pick up any instrument and write songs without breaking a sweat. he first caught my attention with a remake of the bauhaus classic kick in the eye released on redux in 2008. he then backed up this great start with releases and remixes for labels like international feel, under the shade, internasjonal and nang. he also very busy touring as part of the 2020 soundsystem band and he is also in silver city with julian sanza.
we decided to put together a long player to highlight the talents of our man in buenos aires. the construction of *float* reveals an astonishing wealth of musical ideas, brazen touches of new wave and icy modern disco sounds are evident throughout. low slung basses are also a theme that runs right through *float* whether it is the opening song *a place* which has a monster electronic bottom end or *from out there* which sits firmly on the punk funk dinner table, bass lines are clearly important to fernando.

brooklyn synth/post punk outfit brings this ep to the lectric sands label. colors brings a raw guitar, deep synth bass, & a sassy dadaist vocal. cities of the plain is a more minimal cut with a chiming rhythm that is followed by the reporter is a plant. zoovox takes side b with a remix.

its not so easy to pigeonhole de:pots musical style: deep, groovy, smoky and pending somewhere between akufen, krause duo and cypress hill. with his vinyl-debut for sophisticated helmsmen, the analog-studio-punk from the provincial backcountry of eastern germany now delivers a proper dope-house masterpiece, fairly dragging the anxious legs of any foggy dancefloor. bigbait012 – thats five tracks, five statements, five unmistakably groovy and well-hung slices of contemporary house-music, giving the listener the opportunity to get a hint of what crazy and freaked-out experiments de:pot has figured out in his mind – highly contaminated dancefloor drugs for shuffle addicts

debut album by chrome canyon, the solo project of new york artist morgan z. elemental themes one of the last albums mastered by nilesh patel, the mastering engineer behind classic tracks by the likes of air, bjork, daft punk and pulp.
comes as 12 inch vinyl in gatefold cover, including code for free mp3 download of the full album.

>bored of shit< is the first release from new label k!ssa records. it follows dollskabeats debut >zodiac rising / no breaks no sleep< ep, which grabbed the attention of the music press, radio 1 and 6 music back in 2009. an electronic punk sneer and light-hearted grump at the state of modern popular culture, >bored of shit< is perhaps not what people might have expected as a follow up from dollskabeat but either way, it is a sure fire dance-floor filler. the ep also features an exquisite remix from vakula who described the track as impossible not to dance to and guest bass playing from firecrackers fudge fingas. keep your ears peeled for future dollskabeat release >so long for a small storm< - a mould-breaking piece of electronic music that will pick up where she left off. pressed on 180g vinyl and mastered by matt colton at air studios.

did you see that reckless kid sitting next to rebolledo at the wheel of a convertible, racing around the mexican countryside while chanting things about revenge and seduction? it is also him being the handsome gadabout restlessly rushing through the streets of barcelona, claiming that he gives nothing. and there is a possibility that maybe last weekend that very same boy bewildered your local dance grotto with hyperactive vigor. talking about monterreys daniel maloso and his fabled comeme collaborations with rebolledo (including the much acclaimed desierto ep), his colossal solo debut >hijos de jose< and his reputation for highly intense live action.

eine hommage an die eigenen vorbilder: achtes album der us-punk-pop-band. die vinyl-lp enthält eine cd-kopie des albums.

it hass been eight years since michael mayer released his debut album >touch<, but one certainly couldnt consider him lazy, what with a tightly packed schedule of dj gigs and umpteen remixes. all the more reason that kompakt is pleased to announce the sophomore album mantasy, a long-awaited, indispensable update of michael mayers production sound and an essential release for the label in 2012.
pressing on heavyweight 180 gram vinyl, includes cd-copy of the album.

die musik ist eindeutig an den heavy-jam krautrock der fruehen 70er angelehnt, ueberwiegend episch, spielfreudig und angeheizt von treibenden vintage-fuzz/wahwah-gitarrenriffs und einer massiv marschierenden rhythmussektion. ihre psychedelischen improvisationen von teils weit über zehn minuten lassen auf geschmackvolle art ebenso platz für experimentelle passagen in denen sphaerische orgel / sax / gitarren soundeffekte dominieren, um intensive, originelle und facettenreiche klangbilder zu erzeugen. hier erscheint nun erstmalig das komplette neu zusammengestellte material von spaceship landing inklusive drei bonus tracks mit einer laufzeit von 79.5 min, welches auf authentische art, rein analog produziert und re-mastered wurde.

the freshly painted rvs kicks into action with this unique, modern and infectious fusion of underground deep house and edgy, punk-inspired rock.
early support from: mr c, jb, darren roach, bruno schmidt ...

>hello inc.< featuring vocals by saint michel, including remixes from digitalism and dj falcon (roule >together< with thomas bangalter - daft punk). support from air, pedro busy p winter, autokratz, and more. pressing on heavyweight 180 gram vinyl.

calis pacific horizons return with their most club friendly 12 inch to date. club meds is a funky slice of balearic punk inspired by their years in san fran dancing to early breakbeats. fata morgana is an industrial dance inspired cut with a solid club feel. stunning.

hotly anticipated does not really do justice to the level of excitement the release of reptile youths debut album is generating among fans and critics alike. those in the know are expecting the danish duo to deliver a defining moment of 2012 - injecting their off kilter brand of highly-charged electro-punk-pop into the worlds consciousness - and reptile youth aren’t in the business of disappointing. reptile youth was formed by mads damsgaard kristiansen and esben valløe in 2009. it was their intense period of gigging through asia and europe that earned reptile youth their radically evangelical fan base, while also prompting a string of superlative-laden reviews hailing the youth as the saviors of rock n roll. hype aside, the incredible energy generated by kristiansen and valløe and their extended live line up have made the arrival of this debut album a red letter day for their clued up followers

this latest ep from uk punk-funk outfit gramme represents the final release in the run up to the debut album due out this november.

incl. poster! in flagranti seem to be happily caught in an endless spool of recycling their stylistic approach, with their next release skematic tracks vol. 2 somehow combining their trademark punk funk strut with moody, dubby techno influences.

auf 500 kopien limitiertes live-album, nur auf vinyl! wer es bisher versäumt hat cloud nothings live zu erleben, hat nun die möglichkeit dazu. >live at grog shop< wurde wurde am 5. april 2012 (das ende der us-tour) in ihrer heimatstadt in cleveland, ohio von james kananen aufgenommen und gemixed.
one-off pressing white label clear vinyl. knapp ein jahr nach der veröffentlichung ihres debutalbums legte die amerikanische band cloud nothings ihren nachfolger vor. das album bietet eine echte musikalische weiterentwicklung zum debüt und vereint post punk, noise und indie pop. produziert wurde das neue album von der legende steve albini (pixies, nirvana, etc).

ever wondered what untold jamming with gang of four after a night at rage might sound like? of course you havent. neither have we. but it will give you some clue to the sound-clash he’s cooked up for the final part of his change in a dynamic environment trilogy. kane picks up a nagging post-punk baseline and drives it like marty mcfly through three decades of club music. while overdrive simmers with punk attitude before spitting right in the face of melody and exploding into a raucous, drums & bass jam.

mit dem ehemaligen alexisonfire-frontmann wade macneil haben gallows einen großartigen nachfolger rekrutiert. gemeinsam veröffentlichen sie am 07.09.2012 das erste studioalbum in neuer besetzung - das insgesamt dritte full-length album. in wade macneil hat die band einen ausgezeichneten ersatz gefunden, denn seine live-performance gilt als legendär. das im september erscheinende album >gallows< belegt, dass die fünf weiterhin einzigartig in ausdruck und kraftvoller dynamik sind. vom ersten moment an waren gallows eine ungewöhnliche band für die britische rockszene. 2005 ist die hertfordshire crew aus der britischen untergrund punk-szene entstanden. ihre einflüsse kamen stets vom amerikanischen hardcore - refused, at the drive-in, jr ewing - die für den brachialen und typisch tobenden sound einer unzufriedenen jugend stehen. das album erscheint auf ihrem eigenen label venn records, aufgenommen im sommer 2012 in watford von thomas mitchener und steve sears. inklusive code für freien mp3-download des albums.

ltd disco / breaks edits of this well known punk legends

the 2nd in future classics 7inch cover series. cadillacs cover of daft punks >too long< pulls the tempo down, brings out the tropical mallets, brings the same catchy bass lines and crooning vocals that you remember from the original. new navy have stripped out all the electronic elements of the telepopmusik original and replaced with their signature clean bright guitars,island percussion and ben mcinerneys rich vocals.

manic street preachers originally gained a loyal following and cult status with their combination of androgynous glam punk imagery, outspoken invective and songs about alienation, boredom and despair. the bands later albums retained a leftist politicization and intellectual lyrical style, while adopting a broader alternative rock sound, especially after the mysterious disappearance of lyricist and rhythm guitarist richey edwards in 1995. >everything must go< is the manics fourth album and was released in 1996, now back on 180 gram audiophile vinyl.

a long time coming, the first ep from the mysterious duo bernadott finally reaches us. the golem first heard those tracks last summer and noticed his body was moving beyond his control! he therefore decided he should immediately enroll these beat-smiths before the competition took notice. introducing bernadott, the roof of love ep showcases the talent of two underground producers hailing from paris and stockholm, two diggers of the highest order, immersed in musique concrete, italo, free jazz, punk, chicago house and such, two djs devoted to tension, hips & shoulders. with upcoming releases on high profile labels, the golem proudly takes them to the forefront first, unleashing their highly original and leftfield take on the dancefloor. on side a, bernadott turns a white funk forgotten gem, expands it before turning it into a gherkin-esque acid burner with unexpected nods to juke, subtly returning to its post punk roots before you even notice. the golem also wanted to have a nice tune to share with his girlfriend, and he got his wish with side b, another post punk affair autistically turned into a dubby madchester piano choon, a quasi absurd but groovy breezy love song

great, raw, electronic music excursions in the spirit of early 1980s post-punk.

12 inch vinyl lp + cd containing 2 extra tracks in full color inner and outer sleeves. stunning new downwards release from these post-punk legends!

hot release by neil landstrumm & mat consume, who did a first shit & cheap release on scandinavia in 2001, and 2012 seems a good year to tear it down with a totally unexpected raw & raving electro banger for the dutch shipwrec label. inspired by 60s surf & garage and later punk & wave, the drum machines are set to give us the essential kicks, claps and hihats we need for that oldschool electro vibe. the trashmens surfin bird gets a remake dipped in acid and with shadowlands pre-dubstep skills take control, but nevertheless, all tracks have those wobly basslines typical to landstrumm’s music combined with unique vocals that make this release something special and definitely standing out! this release comes in a sick designed three colour silkscreen printed sleeve, limited to 300 copies including a download code to redeam the digital tracks from the label

second release on his diagonal label has powell ploughing a deeper furrow into his modern take on the sound of no-wave, ebm / metal-dance and other ancestral, primitive machine music forms, maintaining an icy cool aesthetic akin to that of his his debut release. loosely-arranged , these five tracks hold an off-kilter charm that evokes the rugged intensity of pre-sequencing era post-punk. calling all fans of 23 skidoo, mark stewart and the mafia or new-beat / ebm pioneers, liasons dangereuses, we suggest that you get on this one immediately.

the perfect union between passion for detail and endless inspiration characterize the music of the versatile french dj/producer, darlyn vlys.
drawing his inspiration from gainsbourg, giorgio moroder, lindstrom, trentemoller, the chemical brothers, depeche mode, daft punk, cliff martinez, morricone, badalamenti, darlyns core is rooted as much in music as it is in film.

for its first release the french collectiv’ macadam mambo comes with four killer disco adjustements that will be perfect soundtracks for the summer. okay okay is a brilliant tropical sexy track edited by bob bernard. spartacus is a punk disco hit dubbed, extended and twisted by bikini freak. sweety francisco is a lovely californian balearic ballad magnified by roger suchard. le jardinier is a huge rework of a french demoniac epic boogie made with genius by teetwo mariani

our friends in nyc just keep on delivering the goods! lee douglas re-vamps another duo of lost curiosities, with the a side offering up striding, synth soaked euro-disco & the b taking us into teutonic punk-funk mantra territory.

the jam is the band of the modfather paul weller. although the jam emerged at the same time as punk rock, the jam better fitted the mould of the new wave bands who came later.
180 grams audiophile vinyl release, includes full colour insert.

following the war cry of their fi rst single >speeddance<,reptile youth return with another sublime 7inch for hfn music.the second single taken from their upcoming album >black swan born white< sees the youth expand their sound towards a grandiose post-punk pop. already a live favourite at their increasingly intense gigs, mads damsgaard kristiansen vocals soar above the funk-driven robo-rhythm, while an instantly addictive melody references their newwave roots.on the b side, londons futuristic psychedelic no-wavers s.c.u.m provide a remix that drenches the vocals in waves of reverb and suspense, before the track explodes into a churning power riff.

pressed on 180gr vinyl... phonica records inaugurate a new series of releases that will fall under the special editions banner. a series that will feature collaborations, one-off releases and anything that doesnt fit into the main labels outlook. the first release comes from sinkane, a hotly tipped new artist from ny. sinkane is the project of sudanese-born musician ahmed gallab. gallab cut his own teeth as a youngster in the punk diy landscape of middle america, and then found himself touring far and wide as a member of yeasayer, caribou, eleanor friedberger, born ruffians, and of montreal. he has emerged from it all as sinkane, a project that identifies a renaissance within the space and spirit of the outposts of contemporary music. with an aesthetic range seamlessly shifting from soul to rock, and from jazz to pop, sinkanes vibe is timeless and the sound is now. runnin is a song taken from a collection of songs simply titled mars. on this limited edition 12 from londons phonica records, the album version of runnin is re-imagined as an increasingly dense longburn club jam by daphni (dan snaith of caribou fame) and as a more angular headjam by chandeliers of chicago

das beste der hamburger soul-punk-boys.

faze action have never been comfortable with the nu disco tag, and in an age where its dominated by digitally designed and somewhat pedestrian in its tempo the lee brothers return with a dynamic live sound that sets them apart. freak for your love is the lead track from their forthcoming album information overload and straddles a sick dubbed out punk funk groove that brings to mind the sort of incessantly sweat inducing music dfa was releasing in the labels first few years. a pleasant new direction for faze action is explored further on the accompanying new wave disco dub mix that delves further into the realm of echo and delay over that strident groove. the mysterious st holds court on the flip with two rerubs that switch the emphasis up towards a throwback bumping 90s house flex without loosing the originals charm

es klingt wie ein verwegenes abenteuer. sergio mendoza, bisher als tourmusiker bei devotchka und calexico unterwegs, entschließt sich vor drei jahren eine mambo-band aus dem boden zu stampfen. er nennt sie sergio mendoza y la orkesta - und ja, 15 musiker sind in der tat so etwas wie ein kleines orchester. sergio mendoza y la orkesta klingen wie eine big-band mit punk-attitüde

es gibt bands, die schmecken nach parfümiertem vollbad und stundenlanger session vorm handspiegel. never ever!, rotzen the pet goats. noise und trash sind die einzigen geschmacksverstärker dieser band aus dem angefaulten big apple. gitarren prügeln eine handvoll akkorde zu einem hypnotischen soundteppich. der rhythmus rumpelt, als hätte der schlagzeuger den beat auf den küchengeräten von velvet undergrounds mo tucker gelernt. man muss nicht punk sein, um punkrock zu machen. denn wisse: weniger ist viel mehr, wenn du wirklich was zu sagen hast. kuscheltiere sind the pets goats keine. aber das zeug zur lieblingsband haben sie allemal.